Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Ergun Kuyucu, Muharrem Bayrak, Mehmet Cerrahoglu; Untertitel:: Deutsch; Sprache. Heimlieferung oder in Filiale: Baskin von Can Evrenol, Mehmet Cerrahoglu, Gorkem Kasal, Film (DVD) Sprache, Deutsch, Türkisch (Untertitel: Deutsch). Baskin ein Film von Can Evrenol mit Görkem Kasal, Ergun Kuyucu. Inhaltsangabe: Der Polizist Arda (Görkem Kasal) ist noch recht neu in.
Baskin Film Deutsch Statistiken
Offizieller "Baskin" Trailer Deutsch German | Verkaufsstart 29 Apr | OT: Baskin | Ausführliche Film-Infos für #Baskin unter. Im türkische Horrorfilm Baskin stolpert eine Gruppe nichtsahnender Polizisten Das Wort bedeutet auf Deutsch übersetzt soviel wie “Überfall” oder “Razzia”. Im türkische Horrorfilm Baskin stolpert eine Gruppe nichtsahnender Polizisten Baskin. Mehr Infos: HD, SD | Deutsch. Zum Streaming-Anbieter. 2,99€. Leihen. Baskin ein Film von Can Evrenol mit Görkem Kasal, Ergun Kuyucu. Inhaltsangabe: Der Polizist Arda (Görkem Kasal) ist noch recht neu in. Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Ergun Kuyucu, Muharrem Bayrak, Mehmet Cerrahoglu; Untertitel:: Deutsch; Sprache. Baskin - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | corporateblog.eu Baskin Fünf Polizisten geraten während einer Nachtstreife in die Gewalt eines höllischen Kultes, So stellt sich das Ergebnis erwartungsgemäß und vor allem im Film dar: Audio: Dolby Digital (Deutsch, Türkisch).
Im türkische Horrorfilm Baskin stolpert eine Gruppe nichtsahnender Polizisten Baskin. Mehr Infos: HD, SD | Deutsch. Zum Streaming-Anbieter. 2,99€. Leihen. Baskin - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | corporateblog.eu Heimlieferung oder in Filiale: Baskin von Can Evrenol, Mehmet Cerrahoglu, Gorkem Kasal, Film (DVD) Sprache, Deutsch, Türkisch (Untertitel: Deutsch).
Baskin Film Deutsch Movies / TV VideoTrailer BASKIN (Deutsch) von Can Evrenol Baskin. Kinostart: zum Trailer. Effektvoller türkischer Horrorfilm über eine Polizeieinheit, die in einem verlassenen Haus die Hölle auf Erden erlebt. Heimlieferung oder in Filiale: Baskin von Can Evrenol, Mehmet Cerrahoglu, Gorkem Kasal, Film (DVD) Sprache, Deutsch, Türkisch (Untertitel: Deutsch). Arda Fumika Shimizu seinem Vorgesetzten Remzi von einem Traum, der ihn seit der Kindheit quält. Als sie dann das naheliegende Haus betreten und immer tiefer in dessen düstere Gänge und Räume vordringen, in Was Ist Chromecast ein blutrünstiger Kult sein Unwesen treibt, beginnt für die Polizisten ein schrecklicher Albtraum, aus dem es kein Entkommen zu geben scheint. Alp Korfali. Guter Griff für hartgesottene Genrefans. Mehr erfahren. Fadik Bülbül. Die Inszenierung ist sehr hochwertig, unglaublich, wenn man bedenkt, dass es sich hierbei um ein Debüt handelt und wie wenig Budget zur Verfügung stand. Hänsel und Gretel: Hexenjäger.
Baskin Film Deutsch Das könnte dich auch interessierenCabal - Die Brut der Nacht. Albtraumhafte Bilder, schleichender Schrecken und ein blutiges Finale in diesem düsteren Horrortrip aus der Türkei. Wie bewertest du den Film? Deine Bewertung. Fremde und Isolation werden durch die permanente Dunkelheit verstärkt. Fall Janina Özüduru. Zudem kann man ihn auch objektiv nicht als Deep Water Horizon bezeichnen. Ogulcan Eren Akay. Das Budget soll bei gerade Euro gelegen haben, was man dem Film nicht ansieht.
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How did you buy your ticket? View All Videos 1. View All Photos Movie Info. Policemen Gorkem Kasal, Ergun Kuyucu face a night of horror in a subterranean labyrinth after answering a distress call.
Can Evrenol. Muge Buyuktalas. Aug 10, Film Colony, Mo Film. Gorkem Kasal Arda. Ergun Kuyucu Remzi. Mehmet Cerrahoglu Baba, The Father.
Sabahattin Yakut Sabo. Mehmet Fatih Dokgoz Apo. Muharrem Bayrak Yavuz. Can Evrenol Director. Can Evrenol Writer. Ercin Sadikoglu Writer.
Cem Ozuduru Writer. Ogulcan Eren Akay Writer. Muge Buyuktalas Producer. Todd Brown Executive Producer. Mike Hostench Executive Producer.
Alp Korfali Cinematographer. Erkan Ozekan Film Editor. April 1, Full Review…. March 31, Full Review…. View All Critic Reviews Talk about a sick and twisted horror movie.
If this is what Turkish horror movies are like, then I will have to make a better effort to keep up with them. Though, obviously, not every Turkish horror movie is gonna be like this.
The most intriguing thing about this movie, outside of the insanity that is its second half, is the fact that it came from such a religiously conservative country, as I guess it's sort of the same way that some Japanese movies can be so fucked up due to the fact that their culture is so repressed when it comes to certain things, that their art sort of reflect that.
I can imagine this film is a result of that religious conservatism. I find that parts of this film are a push against that conservatism, what with the rampant sex and violence, but it may just be me.
The film starts out simply enough, as it sees five cops during a night out on the town. Everything is fine and normal, until they get a call to go to this abandoned building in this town that has been the source of all sorts of strange rumors throughout the years.
On the way to this town, it seems that they have run over this man before the van is driven off the creek and into the water.
A shallow river. This is when the weird shit starts to happen. They are guided by this man to where they're supposed to go and once they find their way into the abandoned building that's full of this weird cult, who have had their eyes taken out, fucking all over the place.
The rest of the cops are rounded up and taken to this place, where they meet the leader of this 'cult', who has a strange appearance and he systematically starts murdering the cops one by one to see if they are the one he is looking for, as it were.
The film, honestly, isn't entirely clear as to what this leader, called The Father, is looking for. So that was one of the flaws.
There's also a recurring theme of Arda reliving one nightmare he had as a child. Visually speaking, the film is probably the best horror movie I've seen all year.
There's all kinds of symbolism, subtext and just plain old clever horror costuming. So that was really fucking cool to me. While it might not all be horror right from the get-go, I think the film does a fantastic of just giving off a sense of dread.
Like you just know that these cops are heading for the worst possible night of their lives. It's actually pretty damn effective at that, might be one of the best I've seen in a while.
The acting is damn good as well. The guy who played The Father, a first-time actor mind you, was fantastic in this movie.
It's not even due to the fact that his appearance is so strange, though that helps, but he does have a way of performing that just adds to how creepy the dude actually is.
The rest of the cast is strong as well, but the guy who played the Father is excellent here. No joke. The movie isn't perfect, of course, no horror film is.
But, by and large, the sense of dread, the sick and twisted portrayal of 'hell on earth', as it were and really clever concepts make this movie well worth the trip, even if some might be turned off by some of its visuals.
I really liked this movie a lot and I would easily recommend it to horror geeks. Jesse O Super Reviewer.
Aug 06, Some interesting nightmarish ideas in a film that bears a resemblance to Hellraiser and its first sequel, but lacks those films pace, logic and verve.
Daniel P Super Reviewer. Apr 07, This isn't a bad film. In fact, the first minutes of it are wonderful. That synthesizer solo blew my mind, and the diner sequence was very fun and Tarantino-esque.
The buildup to the actual "horror" was done quite nicely, and there was some really creepy stuff happening.
Then it devolves into torture porn and it ceases to be scary, just disgusting. I would recommend this if you aren't looking to be blown away, and you like bloody, disgusting films.
The twist will make you roll your eyes, unless you are easily impressed by predictability. K Nife C Super Reviewer.
Mar 30, Love the stylish cinematography, beautiful lighting, and playful story structure. There are some deeply religious and philosophical conundrums being posed here, being dealt with in a sort of simplistic way, and the buildup is much greater than the ultimate, eventual payoff, but its still worth the ride.
Hayden B Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie.
Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. We Are Who We Are. Filthy Rich. No Score Yet. Yavuz turns and resumes arguing.
Remzi, the officer in charge, has the chef step aside and challenges Yavuz to back up his words by hitting the young man.
They fight, and Yavuz easily wins. In the restroom, Seyfi notices a frog sitting where the soap should be and brushes it off. As he does, the hooded figure is revealed in the mirror, standing behind him.
Suddenly, he starts screaming. The officers rush to him and prepare to shoot the restroom door lock before it opens on its own. Arda and Yavuz have a cigarette as Ado tells them that Seyfi had said that he briefly felt like he was losing his mind, and that Remzi had helped to talk him down.
Ado says that Seyfi has never had this kind of incident before. Seyfi and Remzi come out to the parking lot.
Seyfi convinces the others to let him drive. As they drive, they receive a radio call asking for backup, is somewhere called Inceagac.
Seyfi reveals that he has heard bad rumors about the place. As they continue driving, Seyfi sees a naked man run across the road in front of them.
They stop the van and get out, calling towards the surrounding woods for the man to show himself. As they do, something unseen jolts the van behind them.
Arda notices strange symbols suddenly carved into the side of the van. The officers then notice a mass of frogs that has appeared behind the van.
They get back in and resume driving. The officers start asking Seyfi what he really saw, and he insists that it was a man.
As they argue, they fail to notice a bloody person standing in the middle of the road, who the van hits, then swerves and crashes into a shallow stream.
The film cuts back to the restaurant, where Remzi and Arda sit at a table, while Yavuz and Apo watch television, and Seyfi sits holding his head.
Arda tells a story about a dream he had as a child, where his friend appears to him in a dream, telling him not to be afraid.
Earlier that same night, the two of them had made a promise that, whoever died first, he would appear to the other and tell him not to be afraid.
Arda says that he woke up, but was still in a dream. He then describes the opening scene of the movie, revealing that the boy in it was him.
However, he does not describe the hand reaching for him, but instead states that his fear came from knowing that his friend was in his room waiting.
He states that the next day, he found out that his friend truly had died that night. He states that this is a recurring dream that he continues to have to this day, and that he had never told anyone else about it.
Remzi then tells Arda something he wishes he had told him when they first met. He asks Arda to focus, taking in all his surroundings.
Arda suddenly sees the hooded figure standing in the shadows behind Remzi, who tells him that this is the first time someone else has been able to see it.
As in the dream, a hand reaches out. Black liquid starts leaking from the ceiling and seeping from the floor, and Arda falls backwards in his chair.
Instead of hitting the floor, he falls into a dark body of water. As he floats underwater, a giant pair of hands reaches down towards him from the surface.
The film cuts to Arda being pulled from the water by the other officers. A strange group of people have gathered by the stream around a fire.
One of them begins laughing, asking if the officers were in an accident. Yavuz demands to know why he is laughing, and angrily kicks over a bucket, which is full of frogs.
The officers go to find the person they hit, but the body has disappeared. They note that their radios and phones are broken, presumably from the water.
They ask the strangers where they are, and are told that they are in Inceagac. They get one of the strangers to lead them to a building where an empty police car is parked outside, with its lights flashing.
He tells them that it was a police station back in the Ottoman days , and a stable when he was a child, but that is now deserted and avoided.
Seyfi states that he had heard about the place, and echoes that it was a police station in the Ottoman days. As they prepare to enter the building, Remzi pointedly tells Arda not to worry, and that he has the key to all of this.
Small ornaments crafted with twigs, some vaguely human-shaped, hang from a nearby branch. Seyfi tries to call out using the radio in the car, but it doesn't work.
The stranger takes the opportunity to run away, cursing at them as he does. The officers enter the building. Inside, another strange ornament hangs from the ceiling in the middle of a hallway.
They find egg shells that seem filled with blood. Apo vomits. They go on to find a man in a police uniform standing and hitting his head against a wall.
He doesn't respond to their questions, except to point to a stairwell when they ask where his partner is. Arda, Remzi, Yavuz, and Apo go down the stairs, while Sefyi stays with the man they found.
Seyfi notices a frog, which jumps away from him. He follows it to a room where he finds a naked person covered in blood, with chains around their wrists apparently having intercourse with another bloody person with a black plastic bag over their head.
Seyfi looks around and sees several more similarly-adorned people in the room, and as he panics, they attack him, forcing him to the ground.
The man in the police uniform starts laughing in the hallway. The other officers find a room with chains hanging from the ceiling, decorated with similar ornaments to before, with blood and grotesque drawings on the walls.
There is a table in the middle with lit candles around several padlocks. Apo notices another room where bloody bodies wrapped in clear plastic are hanging from the ceiling, and others wrapped in chains around black plastic line the walls.
There is also a cage with a blood-covered woman inside. Meanwhile, Arda follows a streak of blood on the floor to a different room, where he sees dozens of bodies wrapped in blood-stained sheets on the floor and hanging from the ceiling.
On one side of the room, a woman with a butcher knife is cutting up a body and throwing entrails into a bucket. To their right appears to be people copulating behind a hanging plastic sheet.
As he realizes what he is seeing, Arda begins trembling in fear. In the other room, Apo reaches out towards the woman in the cage, while behind him, one of the bodies by the wall begins to move, then hits him over the head with a sledgehammer.
He falls to the ground unconscious. Yavuz sees this and starts screaming, and runs away. The yelling is heard by Arda, and also the people in the room with him, who are revealed to be blindfolded.
We see that one of the people behind the plastic sheet is hanging from the ceiling, and has had both legs cut off, at the waist and above the knee, respectively.
The people run towards Arda, who panics and shoots wildly at the walls and ceiling as he runs away. Remzi, Arda, and Yavuz run down a hallway, pursued by the blindfolded people who pursue them on all fours.
Yavuz falls down and is dragged away. As Arda keeps running, Remzi disappears from behind him. The walls are suddenly made of stone bricks and the floor is dirt.
Suddenly Arda finds himself in his childhood house, just outside his bedroom. He sees his childhood self pulled into the room by the robed arm from the opening dream sequence.
The film jumps back to the restaurant, where Arda is choking on water from a glass. Remzi tells him that they have a long way to go.
Arda asks what is going on. He tells Arda that not everything has a clear answer, but that tonight they are at a crossroads.
He says that they were summoned there tonight, and there was no call for backup. He says that someone is looking for something, and this has been happening to Arda ever since he was a child.
Arda wakes up chained to a stone pillar. Remzi, Yavuz, and Apo are chained to their own pillars. In the middle of the room, a mass of blindfolded, blood-covered people crawl and kneel, reaching up towards a spiral staircase.
A man with one eye uncovered walks around them. He claps, and they fall silent and still. The hooded figure slowly descends the staircase, and the blindfolded people reach out to him reverently as he passes.
Yavuz curses at him. He removes his hood and washes his hands and his disfigured head, then laughs at Yavuz.
He tells the officers that he is only there to help them, on a night where doors open and realms unite. He tells them that Hell is not a destination, but something they carry inside them, and that he is there to shepherd and guide them.
The disfigured man Baba walks to Apo, who seems half-conscious. Apo is unchained, collapses to the ground, and is pulled away by the bloody mob of people.
Baba disrobes, revealing a large padlock hanging in the middle of his back, and a necklace of padlocks across his chest.
He then walks to Yavuz and places a stool in front of him. He tells Yavuz that he seems tough, and that the human soul worships power.
He is handed a small knife. Remzi yells for Yavuz to close his eyes, and he does. The man asks Yavuz if he is ready to stop worshipping power and give up his worldly eyes to see what is beyond.
The man repeatedly asks Yavuz to open his mind, as he begs him to stop.You would be forgiven for ultimately resisting the hyper-real sensationalism that makes "Baskin" so off-putting. Erkan Ozekan Film Editor. One of them begins laughing, asking if the officers were in an accident. Arda notices strange symbols suddenly carved into the side of the Frozen Streamcloud. Last Name.